Out of curiosity, I searched the manual using phrasing from your post as an experiment, span whole system width, which brings up the page about horizontal justification at the top result. If you want to pull everything after a selected point into one system without adding another system break (and therefore another system) at the end, insert just one system break and then activate the “Wait for next system break” property. ![]() “Make into system” works by inputting 2 system breaks: one at the start and one at the end of your selection. In terms of finding answers for this stuff in the documentation: I’d be interested to know where you would expect to find explanations / hints / tutorials? It should be the case that all the constituent parts (the settings you need and actions you might need to take) are all documented, but of course they are also useful in any number of other situations. Such repeated sections are better entered using the various repeat commands (see Repeats ), which automatically print the appropriate bar lines, which can be customized (see Automatic bar lines ). There’s also this option for whether Dorico automatically horizontally justifies the last system in a flow (which for a single-system flow is just its one system), and if so at what fullness threshold. Although the bar line types signifying repeats may be inserted manually they do not in themselves cause LilyPond to recognize a repeated section. I’m a bit confused about the creation of hidden barlines.Īpologies for the rambling post. Ideally, I’d like to be able to work with open meter to create systems of arbitrary length: passages of arbitrary numbers of notes that span a system and also systems that extend for a partial page width but still have no barlines. 11 need this extra skip such that clef change comes after bar line bar main. It so happens that, while measure lines within a staff are handled by Staff.BarLine, measure lines between staves are handled by Staff. If I select the passage in Engrave mode and choose Make Into System, I get the results I want, but then I get a second empty system, LilyPond Learning Manual: A.6.1 Transcription of mensural music. After \key and \time, put ' \override Score.BarLine 'stencil f ' Preview the file, and see that this doesn't work quite as intended. In open meter, I can input my notes, but the seven notes do not span the whole system width. I want to be able to create systems of arbitrary lengths, and with no barlines, and to be able to control whether a system spans the whole page or is shorter than page width.įirst and foremost, I’d like to be able to create a simple flow of one system that contains seven notes, and for those seven notes to be evenly spaced across the system, with no following systems. You can see that the problem is the SpanBar not receiving skylines this is because it has no height, so the interval on which it is considered to collide is not known.I’m having a bit of trouble with getting the results I’d like in open meter, and also having a hard time navigating the documentation to find what I need. (it's expected that the ones from the lower staff are vertically off by some amount horizontal skylines are built before line breaking, when we only have an estimation of the distance between the two staves). \override NonMusicalPaperColumn.stencil = #ly:separation-item::print ![]() \override PaperColumn.stencil = #ly:separation-item::print You can visualize the "skylines" that LilyPond uses for distancing using #(ly:set-option 'debug-skylines) For extra-spacing-width to work, both of the objects that should avoid each other must have some width and some height. - \hide Staff.BarLine - All the instances of \break - \undo \hide \Staff.BarLine The \undo \hide \Staff.Barline must be kept.
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